Cabinet

Seventeenth century

Martin Droeshout, Shakespeare, First Folio title page

From

Martin Droeshout, Mr. William Shakespeares Comedies, Histories, & Tragedies (the First Folio)

Printed

London: Isaac Jaggard and Edward Blount, 1623

Image from

Wikimedia Commons (public domain), from Beinecke Rare Book & Manuscript Library, Yale University

☞ Used in “Cut III, Ren Lyfe: Shakespeare the Player”

James Montgomery Flagg, “I Want YOU for U.S. Army”

From

James Montgomery Flagg, I Want YOU for U.S. Army (recruiting poster)

Printed

Lithograph, 1917

Image from

Wikimedia Commons (public domain), from Library of Congress, Prints and Photographs Division

☞ Used in “Cut IV, I Want You (Darth Vader)”

Nineteenth century

Gustav Schultze, Friedrich Nietzsche, 1882

From

Gustav Schultze, Photograph of Friedrich Nietzsche

Printed

Naumburg, September 1882

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut VIII, I Teach You the Overman (Nietzsche)”

Nineteenth century

John Jabez Edwin Mayall, Karl Marx, 1875

From

John Jabez Edwin Mayall, Photograph of Karl Marx

Printed

London, 1875

Image from

Wikimedia Commons (public domain), from Städel Museum, Frankfurt

☞ Used in “Cut XI, Karl Marx: F*** Your Class”

Ministry of Information, “Keep Calm and Carry On,” 1939

From

Ministry of Information, Keep Calm and Carry On (poster)

Printed

London, 1939

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut XII, Keep Calm and State of Nature On”

Seventeenth century

Paul Fürst, Der Doctor Schnabel von Rom, 1656

From

Paul Fürst, Der Doctor Schnabel von Rom

Printed

Nuremberg: Paul Fürst, c. 1656 (engraving)

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut XVI, Plague Doctor: Et in Arcadia Ego”

Sixteenth century

Hans Holbein the Younger, Portrait of Henry VIII

From

Hans Holbein the Younger, Portrait of Henry VIII

Printed

Oil on oak, c. 1537

Image from

Wikimedia Commons (public domain), from Museo Nacional Thyssen-Bornemisza, Madrid

☞ Used in “Cut XLII, HVIIIers Gonna HVIII”

Fifteenth century

Sandro Botticelli, The Birth of Venus

From

Sandro Botticelli, The Birth of Venus

Printed

Tempera on canvas, c. 1484–86

Image from

Wikimedia Commons (public domain), from Uffizi Gallery, Florence

☞ Used in “Cut XLIII, Kalodaemon, after Botticelli”

Sixteenth century

Albrecht Dürer, Melencolia I, 1514

From

Albrecht Dürer, Melencolia I

Printed

Engraving, 1514

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut XLIV, Mad Call I It, after Dürer”

Fifteenth century

The Hoccleve portrait of Chaucer

From

Thomas Hoccleve, The Regiment of Princes (BL Harley MS 4866)

Printed

Manuscript, early fifteenth century

Image from

Wikimedia Commons (public domain), from British Library

☞ Used in “Cut XLVI, Nat Worth a Toord (Chaucer)”

Sixteenth century

John Dee, Monas Hieroglyphica, 1564

From

John Dee, Monas Hieroglyphica

Printed

Antwerp: Willem Silvius, 1564

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut XLV, Monas Hieroglyphica (John Dee)”

Sixteenth century

Portrait of Richard III

From

Unknown artist, Portrait of Richard III

Printed

Oil on panel, sixteenth century

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut XLVII, Richard III: Ill Behaviour”

Sixteenth century

Hans Holbein the Younger, Portrait of Sir Thomas More, 1527

From

Hans Holbein the Younger, Portrait of Sir Thomas More

Printed

Oil on oak, 1527

Image from

Wikimedia Commons (public domain), from Frick Collection, New York

☞ Used in “Cut XLVIII, Thomas More Bitches, More Problems”

Seventeenth century

Title page of The Roaring Girle, or Moll Cut-Purse, 1611

From

Thomas Middleton and Thomas Dekker, The Roaring Girle. Or Moll Cut-Purse

Printed

London: Nicholas Okes for Thomas Archer, 1611

Image from

Wikimedia Commons (public domain), from Boston Public Library (Thomas Pennant Barton collection)

☞ Used in “Cut XLIX, Thug Lyfe (Moll Cutpurse)”

Sixteenth century

Albrecht Dürer, Knight, Death and the Devil, 1513

From

Albrecht Dürer, Knight, Death and the Devil

Printed

Engraving, 1513

Image from

Wikimedia Commons (public domain), from National Gallery of Art, Washington

☞ Used in “Cut L, We’re All Mad Here, after Dürer”

Seventeenth century

Nicolas de Larmessin, Johannes Gutenberg

From

Nicolas de Larmessin, Portrait of Johannes Gutenberg

Printed

Engraving, seventeenth century

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut LII, Print Is Dead (Gutenberg)”

Sixteenth century

Portrait of Cardinal Thomas Wolsey

From

Unknown artist, Cardinal Thomas Wolsey

Printed

Oil on panel, c. 1585–96

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut LIII, Cardinal Wolsey for Pope”

Sixteenth century

Portrait of Anne Boleyn (the Hever portrait)

From

Unknown artist (English school), Anne Boleyn

Printed

Oil on panel, late sixteenth century

Image from

Wikimedia Commons (public domain), from Hever Castle

☞ Used in “Cut LIV, Wylde for to Hold (Anne Boleyn)”

Fifteenth century

William Caxton’s printer’s mark

From

William Caxton, Printer’s device

Printed

Westminster, c. 1487

Image from

Wikimedia Commons (public domain)

☞ Used in “Cut LXIII, William Caxton’s Printer’s Device”

Sixteenth century

Antonis Mor, Mary I of England, 1554

From

Antonis Mor, Mary I of England

Printed

Oil on panel, 1554

Image from

Wikimedia Commons (public domain), from Museo del Prado, Madrid

☞ Used in “Cut LXXVII, Keep On Burning (Mary Tudor)”